Monday, December 9, 2024

Week 6

 

Language Skill: Using Appropriate Adverbials to Fit Rhetorical Context

Adverbials:
Words or phrases that function as adverbs
Create textual cohesion
Have many semantic roles expressing a variety of meanings such as location, reason, concession, time, agency, and attitude
Have a wide range of syntactic forms, from single words to prepositional phrases and clauses
Occur in various positions (initial, medial, and final)
More than one can occur in a single clause
Most often optional
Serve different functions including linking and stance


o Linking
Used to show the relationship between units of discourse
Connect rather than adding information
Most often in initial position

Relationships include:
Contrast/concession (however and but)
Enumeration and addition (in addition and for another thing)
Summation (further and overall)
Apposition (namely and for example)
Inference/result (consequently and so)


o Stance
Used to comment on content or style
Overtly mark author’s attitude
Single-word are most common form
All positions, but medial is most common
Always optional
Can also be conveyed with noun phrases, modals, and other verbs

Categories include:
Epistemic – judges the truth of the situation
o Certainty or doubt (perhaps versus absolutely)
o Actuality or reality (in fact and really)
o Source of knowledge (according to x and reportedly)
o Limitation (generally and in some cases)
o Viewpoint or perspective (from my perspective and in our view)
o Imprecision hedges (so to speak and sort of)

Attitude – tells writer’s evaluation (surprisingly or predictably)

Style – shows manner of writing/voice (in short and frankly)


Vivid language engages your reader and will enhance and support your rhetorical purpose. The ways we can use grammar include:

·        Adjectives

o   Painting a picture – using specific sensory details to create an image for your reader

§  Vision – color, shape, etc.

§  Audition – sounds, loud/quiet, quality

§  Taction – touch, soft/hard, smooth/rough

§  Gustation – taste, sweet/sour/bitter/salty/umami

§  Olfaction – smell, odor, fresh/musty, etc.

o   Adjectives out of order – changing the standard order to make your reader pay attention

§  Conventional/standard order:

·        quantity/number - one

·        quality/opinion - lovely

·        size - little

·        age - old

·        shape - rectangular

·        color - green

·        proper adjective - French

·        material - silver

·        purpose/qualifier - whittling

·        e.g., “one lovely little old rectangular green French silver whittling knife”

§  Out of order:

·        One or more adjectives might follow rather than precede the noun

o   One lovely whittling knife, old and green

o   Large bull moose, red-eyed and angry, charged

·        One or more adjectives might be set off from the sentence by commas in a clause

o   Careful movements, controlled and precise

o   Participial adjectives

§  Present participle: verb + ing

·        Stomping feet

·        Clapping hands

§  Past participle: verb + ed

·        Framed with traditions and beliefs

·        Mashed potatoes

·        Powerful nouns and verbs

o   Nouns:

§  Absolutes: two-word combinations of noun + present participle

·        Hands shaking

·        Feet stomping

·        Claws digging

§  Appositives: noun, noun phrase, verb – creates the illusion of reality in fiction, but implies a foundation of research in non-fiction

·        The dancer, a whirling swirl of color, flew by

·        The raptor, a white shadow, soared overhead

·        The results, well-founded data, proved convincing

o   Verbs:

§  Concrete, specific verbs replace the feeling of still images or bland language

·        The dancer went by < The dancer flew by

·        The river was calm < The river stretched out in front of us as smooth as the surface of a mirror

·        She walked casually past her ex-boyfriend’s house without a care < She strolled past her ex-boyfriend’s house without a care.

·        They talked < They shouted or They whispered

·        They walked < They stomped. They crept. They skipped.

§  Replacing the verb “be/am/is” etc., makes a sentence more powerful

·        She was happy < She overflowed with joy. < She beamed radiant smiles at everyone.

·        Sentence order

o   Adjective clauses and phrases – create smooth flow in description

§  Combine sentences; use dependent clauses inside commas

§  The dancer spun around the room. She was wearing bright colorful clothing.

§  The dancer, wearing bright colorful clothing, spun around the room.

o   Embedded elements – use any of the above to break monotony

§  The sun sank behind the tress. It was a fiery glowing globe.

§  The sun, a fiery glowing globe, sank behind the trees.

o   Combined sentences – avoid overuse of subject/verb/object structure

§  The hall was empty. She ran toward the classroom. She entered right after the bell rang.

§  She ran toward the classroom down an empty hall and entered right after the bell rang.

§  Racing down an empty hall, she skidded into the classroom, breathless, just as the bell clanged above her.

o   Parallel structures – create a musical quality, develops a rhythm, adds balance, and threads images together to create a more complete picture

§  …there was never a page that was void of interest, never one that you could leave unread without loss, never one that you would want to skip…



Language Skill: Relating Form to Function

·        Using appropriate forms based the correct function makes your ideas clearer

o   Function: the use of grammar to create discourse for different purposes in different situations

o   Form: the specific grammatical structures

o   Academic writing requires specific forms for distinct functions:

§  Simple present: report current trends and general aspects

§  Simple past: report methods completed in the past

§  Passive voice: report methods and procedures

·        When writing bulleted text:

o   Do not mix sentences and phrases.

o   It is best to have only complete sentences OR only short phrases equal in length.

o   Use a period after every sentence.

o   Do not use periods after phrases.

o   Either capitalize the first letter (sentences) OR capitalize no letters (phrases).

o   Doing research to make a bulleted list:

§  underline keywords/phrases

§  begin with/without stem

§  create stylistic consistency

§  punctuate carefully



Friday, December 6, 2024

Final Exam Schedule (Tentative)

Final Exam Schedule:
This schedule is a tentative schedule that could change. If there are any changes, I will announce them here on the blog and by email. 

Monday
9) Essays due
10) Review
11) Review
12) Review

Tuesday
9) Review
10) Presentation
11)  Presentation
12) Exam

Wednesday
9) Review
10) Presentation
11) Presentation
12) Exam

Thursday
9) Review
10) Listening Exam
11) Presentation
12) Exam

Friday: Cookie party at noon!


Monday, December 2, 2024

Poetry Assignment

Due Friday, December 6th.  


Write a poem (any length). Any theme. Any form.

It may rhyme (https://rhymezone.com/).

It must convey an emotion.

It must use at least one figure of speech: metaphor, simile, hyperbole, personification, and symbolism.


Email me your poem when it is complete. 

You will recite your poem to the class Friday. 


Week 5

 

Forming Conditional Clauses

These are useful for expressing causal relationships and making predictions about future possibilities, as well as describing general truths or facts, and usually use if/then structures (if, even if, unless, if not, etc.).
Real                                                    vs.                                        Unreal
Describe general truths/facts or                            Describe situations that are currently
repeated situations/habits                                      unreal/untrue with imagined results
Present tense in both clauses                                 If + past tense + then + modal + base verb
(even if = condition irrelevant)                                                

Predict possible future for likely                           Describe situations in the past unreal or
results; also used for hypotheses                           untrue and imagine results
If + present tense + then + future tense                If + past perfect tense + then +
modal + have/has + past participle

Tips:
·        Use a comma after conditional clause
·        Use subjunctive “were” for unreal conditionals
·        Subject of both clauses must agree
·        Use modals: will/can/may for real conditionals, would/could/might for unreal conditionals